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Films like The Damned (1969), directed by Luchino Visconti, showcased Ramplingβs versatility and fearlessness, particularly in portraying morally complex or emotionally charged characters.
Subsequent performances in Farewell, My Lovely (1975) and collaborations with acclaimed directors across France, Italy, and the UK reinforced her status as a sophisticated, intelligent, and daring performer.
It was this combination of natural beauty, understated elegance, and compelling acting ability that distinguished her from peers who relied primarily on glamour or trend-driven aesthetics.