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Duke had placed Earl’s leather cut on top of it, folded over the foot end. The small hand-stitched sparrow patch faced up.
Two hundred and eleven men formed a single line in front of the casket.
The line began to move.
One man at a time.
Each man stepped up.
Each man laid a hand on the casket for a moment — some for three seconds, some for thirty.
And each man set something down.
I stood near the back and I watched.
The first object set down was a socket wrench. Three-quarter inch. Covered in grease. The man who placed it was named Rooster. He did not speak.
The second was a pair of cracked leather gloves. Size large. The man who placed them was named Tank.
A harmonica in C.
A ceramic coffee mug with a chip on the rim.
A small tin of Bag Balm — the one Howie set down.
A Zippo lighter with the initials J.M. scratched into the side.
A braided leather keychain with one key.
A paperback copy of The Grapes of Wrath, the spine so worn it was held together with masking tape.
A child’s drawing of a motorcycle, in crayon, on a piece of construction paper. From 1994. The man who placed it was named Ellis. His daughter had drawn it for Earl when she was six. She was now thirty-seven. She had driven in from Houston.
Then he walked away.
It took one hour and fifty-four minutes for all two hundred and eleven men to walk past the casket.
By the end, the casket was completely covered.
Wrenches stacked on gloves stacked on photographs stacked on mugs stacked on keychains stacked on lighters stacked on folded handkerchiefs stacked on rolled patches stacked on a single harmonica stacked on a Purple Heart.
You could not see the steel anymore.
You could only see forty-one years of two hundred lives that Earl Mackey had touched.
The last man in line was Duke.
Duke is fifty-nine. Six-foot. Gray beard. Vice president of the Silver Wolves.
He was the last man because he had set the order.
He walked up slowly to the casket in his own leather cut.
He placed one hand on top of the pile for a long moment.
He reached into the inside pocket of his cut.
He pulled out a small object.
And then Duke — who had not cried at his own father’s funeral, who had not cried at three brothers’ funerals over the last fifteen years, who had not cried that I had ever seen — put the object down on the top of the pile and his shoulders started to shake.
The object was a single Kennedy half dollar.
Dated 1967.
Scratched. Worn. The edge nicked.
Duke said one sentence to the casket. I was close enough to hear.
He said, “You gave this to me in 1984 when I was broke. I was supposed to give it back. I’m giving it back now.”
Then Duke stood there with his hand on the casket for a long time.
He was crying, without sound.
A fifty-nine-year-old Vice President of a motorcycle club cried in front of two hundred brothers, in front of me, in front of the cemetery grounds crew, in front of God, and nobody moved.
Because every single one of them had been waiting forty years to do the same thing.
They all did.
At exactly the same time.
Two hundred and ten other men — all of whom had held it in for the entire procession — let themselves cry.
No sound.
Just shoulders shaking.